Its a limited time offerLearn more
Media Production

Media Production Website Design

Production is bought on the reel and closed on the practicalities. A commissioner watches sixty seconds, then wants to know whether you have made this kind of thing before, what it costs, and who is actually on the crew. Beautiful showreels with no budget guidance produce enquiries from people who could never afford the work.

Built for video production companies, film crews and content studios. Describe your business in a sentence and a complete site is written and designed for you — then you edit every word of it.

Build my website free

What a media production website needs

Every one of these is included from the first draft. Nothing here is decoration — each answers a question your visitors are already asking.

A showreel that loads fast

Short, current and playable on a phone. It is the first and sometimes only thing a commissioner watches.

Work grouped by type

Commercials, corporate, documentary, social. Clients want to see the category they are commissioning.

Budget ranges

Typical project cost by type. Production budgets span an enormous range and clients cannot self-select without help.

Crew and roles

Who directs, shoots and edits, and what is brought in. Commissioners care who is actually on the job.

Process and timeline

Pre-production, shoot, edit, revisions. Clients new to production need the shape of it explained.

Kit and capability

Cameras, lighting, studio, drone or underwater capability. Relevant to briefs with specific requirements.

Three mistakes that cost media production websites customers

These come up again and again in this trade, and all three are avoidable.

  1. A showreel too long or too heavy to play on a phone.
  2. No budget guidance, producing enquiries far below what the work costs.
  3. One mixed gallery, so a commissioner cannot find their category.
  4. No crew information, when commissioners are choosing people as much as a company.
  5. No process explained, leaving first-time clients unsure what they are committing to.
  6. Work from many years ago presented as current.
  7. No mention of revision rounds, which is where production projects most often sour.
  8. No music or rights information, when licensing is a real cost and a real legal risk the client will otherwise discover late.

Six media production designs to start from

Every industry ships with six distinct designs. Pick one as a starting point — the layout, colours, wording and images are all yours to change afterwards.

ModernClean and current
MinimalSpace and calm
BoldBig and confident
ClassicTimeless and trusted
PlayfulBright and friendly
CorporateFormal and solid

How you get your media production website

01

Describe the business

One or two sentences about your media production is enough. No brief, no questionnaire.

02

Get a complete first draft

Pages, sections, images and written copy — not an empty template waiting for you to fill it in.

03

Edit anything, then publish

Change any word, section or colour yourself. Publish to a free address or connect your own domain.

Media Production website questions

How long should a showreel be?

Sixty to ninety seconds, current, and fast to load. Commissioners watch briefly and decide quickly.

Should I publish budgets?

Typical ranges by project type. Production costs vary so widely that clients genuinely cannot self-select without a figure.

Do clients care about crew?

Yes. Commissioners are often choosing a director or a DoP as much as a company, so name them.

Is explaining the process worthwhile?

For first-time clients it is frequently what converts. They are committing to something unfamiliar and want its shape described.

How many revisions should I include?

State a number. Undefined revision rounds are where production projects most reliably become unprofitable.

Should I list equipment?

Where briefs require it — drone, studio, specialist rigs. Otherwise keep it brief; clients buy outcomes, not cameras.

Can I update the reel myself?

Yes, directly. A reel that is two years old suggests the work is too.

Who handles music licensing?

Say plainly whether it is included and who carries the risk. Music rights are a real cost and a real legal exposure that clients often discover far too late.

Build your media production website today

Start free. No credit card, no designer, and nothing to install.

Build my website free